Major Cranberries Collector eBay-ing His Collection

December 21, 2003  |  Comments Off on Major Cranberries Collector eBay-ing His Collection  |  by Zombieguide Archives  |  The Cranberries

Longtime Cranberries collector Danny Kronstrom has made the hard decision of parting with his collection.

Many Cranberries fans, including myself, met Danny through his website,The Cranberries Tape Trader, formerly one of the largest Cranberries websites online. The page that remains there now is but a shadow of its former self. Danny has spent the last several years amassing one of the largest Cranberries memorabilia collections in the world.

Danny and I have a long history together, as we ran The Cranberries Gazettetogether before I was invited by former webmaster John Armijo to join Zombieguide.

When asked why he is selling his collection, Danny told me, “I fear it’s the end of The Cranberries and it’s no longer as important to me. I love it, but not enough to buy everything about them. I have some rare stuff and I think it’s important to share it. Some people have shared rare stuff… it’s my time now!”

Danny will be listing his collection piece by piece on eBay over the coming weeks and months. Click here to view Danny’s eBay items. (LINK NO LONGER AVAILABLE)

Source: Exclusive

Noel, Fergal, and Mike Discuss Rolling Stones Tour

December 19, 2003  |  Comments Off on Noel, Fergal, and Mike Discuss Rolling Stones Tour  |  by Zombieguide Archives  |  The Cranberries

Norbert from over at Zombieguide Europe has dug up an interview with Noel, Mike, and Fergal recorded backstage from this summer’s Rolling Stones Fourty Licks World Tour, where The Cranberries opened for several European dates. This marks the first, and probably only, video interview of The Cranberries that we’ve seen online in 2003.

“It’s been amazing,” Noel says about the band’s summer outing with the rock veterans. “I guess every band, when you begin, you dream that someday you’ll have this kind of opportunity. I think it’s been everything we hoped it would be. Everyone’s been really nice. We’ve played to an audience that maybe wouldn’t have known us before. I really couldn’t say a bad thing about any of those things. It’s been a really good experience.”

He goes on, “When we used to be teenagers, we used to go to alternative discos and stuff, and they used to play–”

“‘Sympathy for the Devil,’ was it?” Fergal interrups. “That was the big one.”

“There was a collection that they used to play every Friday night,” Noel continues. “When I was watching the show and listening to some of the songs, it kind of reminded me of when we were growing up and hanging out at places back at home.”

Fergal then recounts a story regarding The Rolling Stones’ frontman: “There was the Curse of Keith,” he begins, exchanging mischievous glances with Noel. “There was a pub in New York, and we were sitting down, a bunch of us for a night out. And there was a big picture of Keith in the background with a light on it. So we ended up having a [drinking] session all night until like 5 or 6 in the morning, or something like that. Then we were in some other pub down in Australia. This was like a couple of weeks later. There was another picture of him in the corner. That ended up being another session ’til like 5 or 6 int he morning. So over a few stages, these pictures appeared and it ended up in a drinking session, because of the Curse of Keith.”

Noel was admittedly impressed by the sheer size of The Rolling Stones’ tour: “It’s amazing to see, when you see the scale of it, the size of the whole setup, you know? I think we thought we had a big setup with a few trucks and a few buses, and then you see this… It’s like a town moving across Europe, it’s amazing to see.”

Click here to download the 2 minute interview. (LINK NO LONGER AVAILABLE)
The video should soon be available in the the ZG Videos Section.

Special Edition “Stars” to Release in Japan

December 14, 2003  |  Comments Off on Special Edition “Stars” to Release in Japan  |  by Zombieguide Archives  |  The Cranberries

Japan is finally getting their hands on the Special Edition 2CD version of “Stars: The Best of 1992-2002,” thanks to Universal Music Japan.

Japan initally only received the 1CD version of the greatest hits album when it was released there in September 2002. The new 2CD version will release on January 28, 2004 at a price of 2427 Yen, the same price as the original 1CD version. Universal Music Japan also gave the “Stars” DVD a low-price re- release last month, though no changes were made except new stickers on the outside.

No word yet on whether the re-release will contain anything new not included in the international 2CD special edition version. Zombieguide will keep an eye on the new release and let you know if there are any new additions.

Source: CD Japan

Jam & Spoon’s “Tripomatic Fairytales 3003” Delayed… Again

December 9, 2003  |  Comments Off on Jam & Spoon’s “Tripomatic Fairytales 3003” Delayed… Again  |  by Zombieguide Archives  |  The Cranberries

Patience has always had to be a virtue near and dear to the hearts of Cranberries fans. And now, it appears that it’s time once again to exercise the inspiring (albeit annoying) quality of patience as the January 5th, 2004 release date of Jam & Spoon’s upcoming CD Tripomatic Fairytales 3003 gets postponed.

Now, it seems that fans of The Cranberries will have to wait until the vague day in “early 2004” to pick up the Jam & Spoon album that includes “Mirror Lover,” the track that features guest vocals by Dolores O’Riordan. Because no exact date has yet been given to the delayed release, it’s not clear when Tripomatic Fairytales 3003 will finally hit stores.

As more information becomes available, we’ll bring it to you right here on


“Tripomatic Fairytales 3003” Album Promos Released

December 6, 2003  |  Comments Off on “Tripomatic Fairytales 3003” Album Promos Released  |  by Zombieguide Archives  |  The Cranberries

Some people are counting down the days until Christmas. Others are counting down the days until the New Year. But fans of The Cranberries are counting down the days until January 5, 2004. That’s the scheduled release date of Tripomatic Fairytales 3003, the latest by German trance duo Jam & Spoon that includes the Dolores O’Riordan-vocaled song “Mirror Lover”. And for those close to the music industry, January 5 just got a lot closer. Universal has released a full-length advance album promo disc that includes all twelve album tracks plus three additional bonus tracks.

The advance Promo CD (CD: 2003 DE (Polydor / Island / Universal; 51446259) is in circulation now among key industry professionals, but is not sold in stores. Could it be time to go eBay-ing?

Head over to to check out the scans and more info.


Streaming Performance of “Salvation” on MTV UK

December 2, 2003  |  Comments Off on Streaming Performance of “Salvation” on MTV UK  |  by Zombieguide Archives  |  The Cranberries

Even if you have to wait two years before getting a chance to catch The Cranberries live in concert, you don’t have forfeit the thrill of watching The Cranberries live. Thanks to the power of the Internet and a slew of live performances from the past, MTV UK has posted a streaming video performance of “Salvation” live available for download. The only strand of red tape is you’ll need to download RealOne Player and obtain a subscription to RealOne SuperPass…both available now with a limited time free trial period. So logon to MTV UK, power up your pc’s speakers and enjoy.

Source: MTV UK

Update: No Coldplay Cover of Linger

November 17, 2003  |  Comments Off on Update: No Coldplay Cover of Linger  |  by Zombieguide Archives  |  The Cranberries

Well, we knew something was fishy when Google could not produce more information about this supposed cover of “Linger.” According to witnesses (no pun intended) and several reviews of the Witnness Festival show that it was not “Linger” that Coldplay covered, but Ash’s “Shining Light.” Apparently the representative at the Coldplay Official Website didn’t bother to check to see what song was actually played.

Though the person who sent the question was clearly describing “Linger,” we’ve We will take our beating now, because we really deserve to be whipped for missing this spectacular news: The magnificent Coldplay performed a cover of “Linger” during their tour of Ireland this summer.

On July 13, at the Witnness Festival in Ratoath, Ireland, the sublime Chris Martin introduced a special addition to the setlist, saying “We love Thanksgiving food so you should all enjoy this one.” In the Q&A Section of the Official Coldplay Website, one concert goer asked about the cover of The Cranberries classic:

“I was at Coldplay’s gig in Ireland in July, they sang this beautiful song that I hadn’t heard from them before and was wondering what it was. They introduced it like this, “We love Thanksgiving food so you should all enjoy this one”, and he made it sound like it was a song the Irish should know. I think the song was was called ‘Linger’ or ‘Do you have to?’, the lyrics said ‘You know I’m such a fool for you, you’ve got me wrapped around your finger, do you have to let it linger’, what CD is that from? It was a beautiful song.”

One of Coldplay’s representatives responded to the question, saying, “Are you Irish? Shame on you for not knowing this if you are! The reason they played this song is because it’s originally by an Irish group, The Cranberries. It’s called Linger and was one of their biggest hits. Coldplay like to play a cover of a native band wherever they go.”

Oi!! The first person to send Alex an MP3 of this live cover will receive a shiny penny and his eternal gratitude! Seriously, if anyone can help us find a recording of this cover of a great song by another great band, we will gladly host it for everyone to download.

Thanks to Brad P for the tip!

Source: Official Coldplay Website to Terminate Web Hosting with Elive

November 17, 2003  |  Comments Off on to Terminate Web Hosting with Elive  |  by Zombieguide Archives  |  The Cranberries

An employee of Elive has confirmed to Zombieguide that The Cranberries will soon be ending their hosting of The Cranberries’ Official Website with their company.

“My commercial dealings with the band will be ending soon,” Seanie Ryan, Managing Director of elive Internet Business Solutions, told us on Sunday. Ryan declined to comment further.

This leaves two options for the future of the Official Site: either the band’s management is finding a new hosting company or the Official Site is shutting down. Elive has hosted the Official Site since it opened in January 1998. Given the site’s severe lack of any signs of life since September does not make for a pleasant outlook for the website’s future.

Zombieguide is also negatively effected by this revelation, since our site hosting has been provided by Elive as a side product of The Cranberries’ business with them. Because The Cranberries have ended their business with the company, Zombieguide has been asked to move servers within “a timescale of 3-4 weeks.”

Given this information, we speculate that the Official Site will either move servers or close before the end of the 2003.

Meanwhile, Zombieguide will be moving the site to our Metropoliglobal account, where we host most of our media files. This account was set up for us as a favor by Diego, webmaster of Most of the main site should move fine, since our fiasco this past March, we’ve gotten some education on site-moving. However, the Zombieguide Forums may need to restart once more; moving SQL databases is not exactly our expertise.

We are grateful to Elive for the service they have provided us with for the past several months

Coldplay Covers “Linger” Live!!!!

November 17, 2003  |  Comments Off on Coldplay Covers “Linger” Live!!!!  |  by Zombieguide Archives  |  The Cranberries

We will take our beating now, because we really deserve to be whipped for missing this spectacular news: The magnificent Coldplay performed a cover of “Linger” during their tour of Ireland this summer.

On July 13, at the Witnness Festival in Ratoath, Ireland, the sublime Chris Martin introduced a special addition to the setlist, saying “We love Thanksgiving food so you should all enjoy this one.” In the Q&A Section of the Official Coldplay Website, one concert goer asked about the cover of The Cranberries classic:

“I was at Coldplay’s gig in Ireland in July, they sang this beautiful song that I hadn’t heard from them before and was wondering what it was. They introduced it like this, “We love Thanksgiving food so you should all enjoy this one”, and he made it sound like it was a song the Irish should know. I think the song was was called ‘Linger’ or ‘Do you have to?’, the lyrics said ‘You know I’m such a fool for you, you’ve got me wrapped around your finger, do you have to let it linger’, what CD is that from? It was a beautiful song.”

One of Coldplay’s representatives responded to the question, saying, “Are you Irish? Shame on you for not knowing this if you are! The reason they played this song is because it’s originally by an Irish group, The Cranberries. It’s called Linger and was one of their biggest hits. Coldplay like to play a cover of a native band wherever they go.”

Oi!! The first person to send Alex an MP3 of this live cover will receive a shiny penny and his eternal gratitude! Seriously, if anyone can help us find a recording of this cover of a great song by another great band, we will gladly host it for everyone to download.

Thanks to Brad P for the tip!

Source: Official Coldplay Website

Sunday Mirror: Noel Seen with Cranberries Ex-Manager in Limerick

November 17, 2003  |  Comments Off on Sunday Mirror: Noel Seen with Cranberries Ex-Manager in Limerick  |  by Zombieguide Archives  |  The Cranberries

Ireland’s Sunday Mirror must have a tracking device implanted in Noel Hogan’s body.

After spotting him buying CDs in Dublin last month, The Sunday Mirror has found him yet again. In yesterday’s issue of the tabloid, the Mirror ran a photo of Noel and his wife Catherine talking to Cranberries ex-manager Lewis Kovac at Limerick’s Trinity Rooms club.

Hmmm. And so the mystery grows. While Lewis Kovac has officially parted ways with The Cranberries, Hot Press hinted in September that Kovac will be working on a project with Noel, Mike, and Fergal, without Dolores. Or else, the meeting could have been related to Noel’s solo project. On another note, after hearing of Catherine Hogan’s sickness, it’s good to hear that she’s out and about with her husband.

Source: Sunday Mirror

Sunday Indie: Dolores to Fly Home in December

November 16, 2003  |  Comments Off on Sunday Indie: Dolores to Fly Home in December  |  by Zombieguide Archives  |  The Cranberries

According to a short blurb from the November 9th issue of the Irish newspaper “The Sunday Independent,” Dolores will be flying home to Limerick on December 12th, just in time for her mother Eileen’s birthday. The O’Riordan clan (that’s Dolores, Don, Taylor, and Molly) are currently in Toronto. Dolores is recording solo material at Metalworks with co-producerMatt Vaughan and engineer Mike Plotnikoff.

Sounds like the O’Riordan family will be spending Christmas at home this year. What, no third Pope performance? Dang it.

Source: Sunday Independent

Zombieguide’s Interview with Alan Swan

November 10, 2003  |  Comments Off on Zombieguide’s Interview with Alan Swan  |  by Zombieguide Archives  |  The Cranberries

Trying to find new interviews with The Cranberries this year has been a bit like hunting Yeti. But luckily, a new interview with Fergal Lawler is being published this week in book form, thanks to author Alan Swan. Alan has been working on his new book “From the Cradle to the Stage” for the past year and a half, and it’s turned into quite an impressive project with interviews from over 70 Irish musicians, including Damien Rice, Damien Dempsey, The Frames, Mundy, David Kitt, Christy Moore, The Corrs, Relish, Ronan Keating, Westlife, Bellefire, Six, and oh-so-many more.

Perhaps the best part is that it’s all for a good cause: all profits from the book will be donated to Irish charity Fighting Blindness. According to their press release, “Fighting Blindness has been in existence since 1983. It is a small but dynamic charity made up of families and individuals affected by progressive blindness. The charity is determined to investigate every avenue where a realistic hope of finding a cure exists. The projects it funds are at the cutting edge of international research and have become global leaders in the search for treatments for blindness. 65,000 Irish adults and children are currently losing their sight to progressive blinding conditions known as retinal degenerations. Funds raised through the sale of this book will ensure this vital work is maintained and developed, bringing hope of a bright future to those currently affected by blindness and to future generations.”

“From the Cradle to the Stage” will be released on Wednesday, November 10th for €14.99 ($15 US). You can order the book now from the publisher,Poolbeg (direct link to the book) or from Fighting Blindness.

A full review of the book will come soon, but in the meantime, Alan Swan sat down with Zombieguide’s Alex Kraus to talk about his interview with Fergal, Fighting Blindness, and the current state of Irish music…

Zombieguide: First of all, when did you come up with the idea for this book?

Alan Swan: It was brewing around in my mind for a long time but it
wasn’t until March of 2002 that I sat down and started the ball rolling
on the project. I was presenting a breakfast show on CKRfm, a
commercial station for counties Carlow and Kildare, at the time, so I was up early in the morning, in for work at 5 am, on air at 6 am, finished work at 11 am. I was getting into the habit of sitting down at home pottering around at this and that and not really making use of the time that I had in the afternoons. So one day I just switched on the laptop and got going.

Zombieguide: What was the idea behind the book?

Alan Swan: The creative idea behind the book was very simple. I’m a massive fan of music, always have been. I wanted to put together a book where the artist, speaking in their own words could talk about there younger years and why they choose the road they travel. I’ve always been fascinated about what lights the spark. I wanted all original material. So I set about interviewing over 70-75 acts either face to face, by phone or by e-mail. Hoping that I could get little snippets of information that would give the book a little edge. Because I only had space for 80,000 words myself and my editor felt that we would have to give each artist around 800-1000 words each. Looking at the book now I feel we have a nice mix, some chapters run a bit more, some are short and get the message across. I’m happy with the finished product and extremely proud. I hope that someday someone might pick it up and that it might inspire them to take up music.

Zombieguide: How many pages will the final book have?

Alan Swan: Well it comes in at around 80,000 words, so 200 words a page, 400 pages. To tell you the truth, I have no idea. I still haven’t seen the finished product yet… I have seen the cover and it looks great. It has lots of different shots of different acts, including the Cranberries.

Zombieguide: Nice… when did Fighting Blindness come into the picture?

Alan Swan: Fighting Blindness came in from the start. I wanted a charity involved because I knew it would the perfect vehicle for them to promote themselves. I am good friends with one of there chief fund raising managers in Fighting Blindness and out of courtesy I asked him first before I pitched the idea to other charities. His Chief Exec. liked the idea, got the board to approve it and here we are. I’m thrilled the proceeds of this book is going to charity, Fighting Blindness are an incredible organization and quoting their Chief Exec. Micahel Griffith “Its flagship project in Trinity College is a world leader in the development of gene therapy for dominantly inherited retinopathies and the contribution of this group to the global research effort to find treatments for blindness has been truly outstanding by international terms.” I knew by having the charity on board that it would make it a lot easier to have all the other pieces to come together. The result is that from all of us combined, ie., from publishers to record companies, from artists to me, all our efforts will result in the proceeds from this book going to charity.

Zombieguide: I would assume then that not only was it easier to publish the book once you got a charity sponsor, but that it was a lot easier to get artists to jump in once you told them that it was for


Alan Swan: It was in a way – but there was an awful lot of work and presentations to do. Our publishers are great, like myself they are very passionate about the book and have put so much effort into it. The artists have been great too – a few due to work commitments weren’t able to contribute (which I totally understand) but I would hope they would make the second edition which I would love to put together in a few years time. Those who did contribute in fairness gave up there time to take part, for example Donal Lunny wrote a beautiful piece from Japan which he e-mailed to me. A lot of artists really took the project to heart and were very generous.

Zombieguide: It looks like the book has gone under a few changes since the first press releases were put out. Originally, the press release stated that Dolores wasto appear in the book, but now it’s Fergal who will appear in the final version. Was Dolores originally supposed to be interviewed? What happened?

Alan Swan: It was a simple case of crossed wires. Nothing more. It was a really early Press Release that wasn’t really finalized before it went out into the public domain. We are delighted to have Fergal on board and I think you will like his contribution. I honestly think that all our contributors have great little stories to tell.

Zombieguide: Yeah, can’t wait to check it out. This question comes from Brad from the Zombieguide Forums… What makes this book unique and not just a mini-biography? I mean, a lot of us diehard fans have already read many, many biographies already, especially about the band’s early days. Just last year, Niall Quinn published his own story online about the earliest days of The Cranberry Saw Us in his own words. Can you promise us something new?

Alan Swan: To be honest I can’t promise anything.

Zombieguide: Then can you give us a little taste of what to expect?

Alan Swan: Each chapter contains small snapshots of the artists life. In Fergal’s case he talks about his first gig, listening to the radio, singing songs in his father’s rocking chair and so on. It would be unfair of me to say “Ah yeah, it’s full of so much new info, lots of it, go out and buy it.” I wouldn’t lie to you, it’s only when you read through the whole book that you get a sense of Irish life and how these stories compare. I found Fergal’s chapter really interesting and I hope whoever buys the book finds this too. Remember too it’s in his own words like all the chapters in the book. I would hope that whoever buys the book would enjoy the other artists stories too, and go, “Jaysus did that happen to Jim Corr, or I never knew that about James Galway or Damien Rice, was THAT the first ever song he learned?” It’s really a celebration of Irish music and that we as a small country have such an array of different styles and singers. I think it’s unique in the way that I don’t think there has been a book that gives such a broad taste of Irish music through the artists own words.

Zombieguide: Oh, really? So the chapters are in first-person monologue style, like an autobiography? Dolores did something very similar for Liz Evans’s book “Women, Sex, and Rock ‘n’ Roll” in 1994, only Evans had to turn the interview into a monologue on her own, since Dolores was in a hospital bed from her skiing accident in the Alps.

Alan Swan: Yes they are. I felt it would be more personal to the reader if it was written like that. I tried to have it flow like a natural conversation, snippets here, snippets there. I hope it works.

Zombieguide: When exactly did you get to interview Fergal? Was it a face-to- face interview or by phone or…? What were your overall impressions of him?

Alan Swan: Because the band where busy, I conducted Fergal’s interview via e-mail and he was very open and obliging. He also wished the project the very best of luck.

Zombieguide: Wow, so did you get Fergal’s personal email address? If you did, I think you just captured the envy of everyone reading this.

Alan Swan: Actually, I have a good friend who acted as a third party for me. E-Mails were then just forwarded to me through that address. I was delighted Fergal had the time to do it because he was on tour at the time. He also left a lovely good luck message for me at the end which was very kind.

Zombieguide: We know that “Cradle to the Stage” covers artists’ roots and early days, but what other subject matter is in the book? Did Fergal get the chance to talk about The Cranberries’ current or future projects?

Alan Swan: No I’m sorry he didn’t, because we asked the artists to focus so much on the past we tended not to get so much info on the future, In some cases we did, but in Fergal’s case we didn’t. Sorry…

Zombieguide: It’s alright. Dolores has been quoted as saying that she doesn’t like to incorporate “trad” elements into The Cranberries’ music because she feels that it’s too much of a cliché for an Irish band. In a sense, its one distinction that separates The Cranberries from other modern Irish, particularly female acts like Enya and The Corrs. Do you feel that a lot of new bands agree with Dolores’ sentiment, or are there still a number that have that “Irish” sound?

Alan Swan: Not to be arguing with Dolores, but in my honest opinion and in a sense I think Dolores’s main instrument, her voice, has a massive Irish traditional Sean Nos sense to it. Her voice is sensational and much of their early material had an Irish feel to it. Recently it has shifted away from that. I can see her point though; some Irish acts do go with the trad element. I don’t think it’s a cliché, I think if it works for Enya and The Corrs and the fans like it well then it works. There are a lot of Irish acts that don’t go with the Trad slant — JJ72, Ash and The Frames. I think it’s great for the Irish sound to be still around, it’s what makes us distinctive, different.

Zombieguide: About the Irish elements, I think everyone would have to agree that Dolores’ voice has a very inherently Celtic quality. But what she means to say is that she’s very much against incorporating stuff like the fiddle or the tin whistle unless it’s absolutely necessary…

Alan Swan: I know exactly where you’re coming from. With regards to Enya and so if it works it works. What the Cranberries do also works and works incredibly well.

Zombieguide: On a broader scale, there is this fear among some cultural purists that Ireland is losing a lot of its ethnic identity and “Irish charm.” (Not to be confused with Lucky Charms, of course.) A hundred years ago, it was a fear of Ireland becoming Anglicized, but today, there’s just as much of a fear of becoming Americanized, or even just “globalized” in general. Do you feel this social trend is having a large impact on music?

Alan Swan: It is in a way. A few years back, and to some small extent now, an awful lot of bands were trying to sound like Radiohead, singer- songwriters were trying to sound like David Gray, and many would follow what was the in sound at the time. I think you will get that in every country though and not just in Ireland. I don’t think Irish music is dying though, I think it’s stronger the ever and a lot of acts are going back to basics and bringing an Irish folk kind of feel to there music. In that I mean that many of our best artists have always been unique story tellers. We have a new generation of artists such as Damien Rice, Glen Hansard, David Kitt, Mundy and so on who all have there own unique sound and bring something fresh to Irish music. I’ve always said it but for a country as small as Ireland we really do produce amazing things. On the other side Trad music is as popular as ever and seems to have lost the stupid stigma that was attached to it. Acts like Altan, Donal Lunny, Dervish and as always The Chieftains are leading the way.

Zombieguide: One radio-related website that I ran across said that “From the Cradle to the Stage,” is your first book but that you have “several others in the pipeline.” Is that right?

Alan Swan: It is, I’m going to take a bit of break from writing for a while, maybe six months or so. I want to write a book about my grandmother, it’s a personal story and really a celebration of her life, she was an amazing woman and I’m really looking forward to sitting down and starting the research work on that. I also want to work on some other biogs but that’s a long way down the road.

Zombieguide: Any chance of another Cranberries-related book?

Alan Swan: Who knows, maybe some day… never say never!

Zombieguide would like to thank Alan Swan for his time and wish best of luck to him and Fighting Blindness.

Source: Exclusive!

Cranberries Parody on French & Saunders DVD

November 9, 2003  |  Comments Off on Cranberries Parody on French & Saunders DVD  |  by Zombieguide Archives  |  The Cranberries

Before they appeared on the show “Absolutely Fabulous,” British comedy duo Jennifer Saunders and Dawn French carried their own series called “French & Saunders,” which is now getting a flurry of releases on DVD. Their newest DVD release, Living in a Material World has something to offer which will amuse — or infuriate — Cranberries fans.

“Living in a Material World” includes one skit that impersonates Dolores O’Riordan. DVD Talk laments that the parodied lyrics are tough to make out, but hilarious none the less. “Bjork and the Cranberries… also get intricate send-ups… although the musical tributes are a bit less effective as the jokey lyrics are a bit tough to make out. Still, these skits are all awesomely funny.” Björk and Dolores aren’t the only ones getting a jab; Madonna also gets the shaft.

“French and Saunders – Living in a Material World” is now available on DVD in the US for a retail price of $14.98.

Source: DVD Talk

“Whisper to a Scream” DVD Retitled, Re-released

November 7, 2003  |  Comments Off on “Whisper to a Scream” DVD Retitled, Re-released  |  by Zombieguide Archives  |  The Cranberries

The Irish rock documentary “From a Whisper to a Scream” has been picked up by Eagle Vision USA for a re-release this week on DVD. The new version, entitled “Out of Ireland: From a Whisper to a Scream” was originally released by Fox Lorber under the title “From a Whisper to a Scream: The Living History of Irish Rock” in March 2001 on DVD and a VHS set. The documentary was produced in 2000 and was originally aired on national network RTE in Ireland. The documentary includes a brief segment on The Cranberries and an exclusive interview with Dolores O’Riordan as she comments on Sinead O’Connor, Thin Lizzy, and Irish traditional music.

The new version boasts new packaging (including a shot of Dolores on the cover), but the content appears to be the same as the original release.

Check out Zombieguide Europe for scans of the original release and screen captures.


Source: Eagle Vision USA

“Stop The Rumors!” An Artistic Look at the Two-Year Break

November 3, 2003  |  Comments Off on “Stop The Rumors!” An Artistic Look at the Two-Year Break  |  by Zombieguide Archives  |  The Cranberries

It’s too bad the album title “Rumours” has already been done (snatched up by Fleetwood Mac in 1977), because lately, it seems that this would be the ideal title for the Cranberries’ sixth album. Amidst all of the mayhem of “will they or won’t they” ever return to the studio, fans are left wondering: how are The Cranberries coping with the allegations, insinuations, and the ever popular out-of-context publications?

Well, for a little poetic answer to that question, Zombieguide presents an astonishing creation by mesmerizing cartoonist, Maurizio di Bona aka The Hand. Cranberries fans may remember that it was The Hand who, earlier this year, was asked by The Cranberries to produce artwork for official band merchandise. Created in an attempt to portray The Cranberries’ struggle to balance personal with professional, this one-of-a-kind illustration, entitled “Stop Rumours” was submitted to Zombieguide in an effort to help stifle the whirlwind of conclusions and remind fans that The Cranberries remain individuals with significant responsibilities that lie beyond the group itself.

Special thanks to the astonishing artist, The Hand, for kindly allowing Zombieguide to post this terrific piece of art!

Source: Exclusive

Dennis Storhøi Names Cranberries As Favorite Artist

November 3, 2003  |  Comments Off on Dennis Storhøi Names Cranberries As Favorite Artist  |  by Zombieguide Archives  |  The Cranberries

What do The Cranberries have in common with Chopin? How about a top- ranked spot in the personal favorites list of Norwegian actor, Dennis Storhøi! In an IGN Filmforce online interview, actor Dennis Storhoi (The Thirteenth Warrior) named The Cranberries, alongside Chopin, as his personal favorite musicians…as odd of a combination as it might seem.

The accomplished actor has performed in numerous on-stage productions as well as silver screen projects. In IGN Filmforce’s brief ten questions spanning everything from favorite film to greatest influences, his reference to The Cranberries as favorite musical artist took first line in the interview.

Source: IGN Filmforce

The Cranberries On Unofficial Beatles Tribute Collection

October 30, 2003  |  Comments Off on The Cranberries On Unofficial Beatles Tribute Collection  |  by Zombieguide Archives  |  The Cranberries

As if quirky tunes such as “Yellow Submarine”, “Rocky Raccoon”, and “I Am the Walrus” aren’t enough of a novelty for Beatles fans, there is now a new three-volume compilation that exalts the music industry’s fascination with the Fab Four. We Want the Beatles is an eclectic compilation that’s turned up on eBay. The strange set features both well-known and obscure tracks that include virtually any reference to John, Paul, George or Ringo. So what has this to do with The Cranberries you ask? Think hard. Yes, you’ve got it. To The Faithful Departed’s rocking tribute to the late John Lennon, “I Just Shot John Lennon” is included in the smorgasbord of songs about The Beatles. As long-time fans of The Beatles, The Cranberries were bound to pay homage to the mop-topped music legends somehow; and a savvy bootlegger out there didn’t overlook The Cranberries contribution to Beatle Mania.

We Want the Beatles appears to be an unofficial collection of songs; yet it certainly does deserve credit for baring a painstaking appearance. Zealot bidders currently have the unofficially-released six-disc set priced at over $90.00 on


Exclusive: Zombieguide’s Interview with Mike Plotnikoff

October 25, 2003  |  Comments Off on Exclusive: Zombieguide’s Interview with Mike Plotnikoff  |  by Zombieguide Archives  |  Dolores O'Riordan, The Cranberries

Sound engineer Mike Plotnikoff has a long history with The Cranberries. His first encounter with the band was engineering “To the Faithful Departed,” working alongside his good friend, the late Bruce Fairbairn. He then mixed “Bury the Hatchet” in 1999 and “Beneath the Skin,” released in 2001. Now (much to his surprise), he’s been asked not only to mix Dolores O’Riordan’s new solo song “Black Widow”, but also her upcoming solo album, which, Matt says, Dolores is scheduled to begin recording in November. For this and more revelations, read the transcript below or download the MP3.

I called Mike Plotnikoff at LA’s Bay 7 Studios today on the telephone for an interview about his current and past work with Dolores and The Cranberries. And here’s what he had to say…

Alex Kraus’s Phone Interview with Mike Plotnikoff (MP3, 7mb,, 15mins)

Zombieguide: Hey, this is Alex from, we’re on the phone here with Mike Plotnikoff, who Cranberries fans will remember was the engineer for “To the Faithful Departed”; he mixed “Bury the Hatchet” and also the live DVD “Beneath the Skin,” and he also mixed some songs on “Wake Up and Smell the Coffee,” which I did not know til I looked at your resume. I thought it was entirely handled by Cenzo Townshend? Most recently, and what everyone seems to be talking about is, Mike, you also mixed Dolores’ solo track “Black Widow.”

Mike Plotnikoff: Yes I did, just one track a couple of weeks ago

Zombieguide: OK, well, since that seems to be the topic of interest right now, we’ll get started with that

Mike Plotnikoff: Sure.

Zombieguide: And, trust me, anyone who’s listening to this is going to be really jealous of you for getting to hear it before the rest of us.

Mike Plotnikoff: OK [slight laughter]

Zombieguide: So you say you mixed it a couple of weeks ago, we just found out about your involvement within the past week or so.

Mike Plotnikoff: Yeah, they called me up, I guess it was a couple of weeks ago. I don’t know if you know Don, obviously, Dolores’s husband.

Zombieguide: Yes.

Mike Plotnikoff: He called me to see if I’d be interested in mixing this track. I think what they want to try to do, what he told me, is to get it into the new Spiderman movie?

Zombieguide: Really?

Mike Plotnikoff: Yeah, so that’s what it was for. For the new soundtrack which they’re going to try to get it into. I think that was the thing behind this one song.

Zombieguide: Interesting… because we also learned recently that she recorded a song for Mel Gibson’s “The Passion of Christ” movie.

Mike Plotnikoff: Yes, she did.

Zombieguide: Did you have any involvement with that?

Mike Plotnikoff: No, I was going to mix it and for some reason it just fell through. I think what happened was that they went with an a cappella version only. [Editor’s note: Does that imply there are other versions?]

Zombieguide: Yeah, in Latin.

Mike Plotnikoff: Yeah, exactly. So they said, “There’s no point,” they’re just going to put the vocals up themselves wherever they tracked it. They sent me this other song which is going to try to be for another soundtrack.

Zombieguide: So the other song didn’t require much mixing?

Mike Plotnikoff: No, it didn’t. It was pretty much vocal only, so it was only a 5-minute mix really.

Zombieguide: We’ve heard of another title called “Croatia” — is that the song?

Mike Plotnikoff: [thinking] Uh.. no, I think it’s a song I know they asked me to mix. I dont know if they mixed it already, but I know I spoke with Dolores about a week ago and she asked if I’d be interested in an offer to do that as well [?]

[Editor’s note: Given that the song for the “Passion” soundtrack song appears finished and so does “Black Widow,” we have good reason to believe that “Croatia” is indeed the title of the song Dolores O’Riordan recorded for Mel Gibson’s “The Passion of Christ”…]

Zombieguide: Dolores has said that these new solo tracks that she’s doing are very different from what she’s done in the past with The Cranberries…

Mike Plotnikoff: [emphatically] Yes, they are! Well, obviously I’ve just heard “Black Widow,” but it’s really different.

Zombieguide: In what way?

Mike Plotnikoff: It’s more experimental type. I don’t know if you remember a song that was on the movie soundtrack for “The Devil’s Own”…

Zombieguide: Yeah, yeah, yeah! [getting excited…] “God Be With You.”

Mike Plotnikoff: Yeah, “God Be With You.” It’s more along those lines. A lot of keyboards and programming… experimental is about the best way I can describe it.

Zombieguide: [shitting a brick] Excellent!! “God Be With You” is one of my absolute favorite songs.

Mike Plotnikoff: Yeah, its kind of along that line: very quirky, but it’s a very interesting, really cool song.

Zombieguide: Now, does that make a difference in how it’s mixed?

Mike Plotnikoff: [hesitating] Not really, but then you could be a little more experimental with delay and stuff. You could take it a little more that “quirkiness” way, take it more left-field.

Zombieguide: Are there any past Cranberries songs you’d compare it with, other than “God Be With You”?

Mike Plotnikoff: No, it’s nothing compared to any Cranberries song at all.

Zombieguide: [intrigued] Really?

Mike Plotnikoff: Nothing, no.

Zombieguide: Fascinating. Are there any other artists you’d compare it with?

Mike Plotnikoff: I guess along the lines of, if anybody else, Björk, some of the weird stuff Björk would do.

Zombieguide: [shitting another brick] Really?!? I’m a big Björk fan, too.

Mike Plotnikoff: Yeah, it’d be along those lines, the Björk category. But then at the end it gets really cool because these big drums and guitars come in at the very end through the last chorus and it has this Led Zepplin-y feel drum sound, it has that element too. But for the most part, it’s a lot of bizarre programming and with Dolores and her vocals and you know the things she can do with her vocals.

Zombieguide: Now, you talked to Don for this, did you have any contact with Dolores?

Mike Plotnikoff: Uh, yeah, I talked to Dolores a few times. She basically said to do what I do and that was all. She just kind of left it open to see how I would interpret it.

Zombieguide: Now, Matt Vaughan co-produced the song, is that right?

Mike Plotnikoff: You know, I don’t even know.

Zombieguide: Well, he did. Did you have any contact with him at all?

Mike Plotnikoff: No, I didn’t.

Zombieguide: No? OK. Do you know where it was recorded, by the way?

Mike Plotnikoff: I think it was recorded in Metalworks in Toronto.

Zombieguide: OK… ’cause she’s been recording there with Matt for the past few months and she also recorded with him in London.

Mike Plotnikoff: Yeah, I think that’s where “Black Widow” was recorded [in Toronto].

Zombieguide: Cool. Right now, it’s listed on the Timeless Music label, which I guess is what The Cranberries’ self-owned label, [that’s] what they’re going to call it, now that they left Universal this year. Do you have any idea of what’s going on with that?

Mike Plotnikoff: No idea.

Zombieguide: No idea? Because right now it looks like it exists in name only…

Mike Plotnikoff: Yeah, I just spoke with Dolores last week, I guess it was. I’m going to go work on the record with her in Toronto, to finish the record she’s working on right now.

Zombieguide: The record….? [prying, already knowing what the answer is]

Mike Plotnikoff: Her solo record, after I finish the record I’m working on right now.

Zombieguide: Now there’s been a lot of conflicting reports about this so- called solo record that she’s doing. Is it, indeed, a full record?

Mike Plotnikoff: I, I have no idea. Songs, I don’t know what it is.

Zombieguide: The band is being very vague about it at the moment.

Mike Plotnikoff: I think it’s just going to be her solo record and not going to involve the other band members. I’m pretty sure about that. But I could be wrong about that. All I know is that they called me up to ask if I could come and work with her sometime in November in Toronto at Metalworks Studios. And that’s about as much as I know.

Zombieguide: The band’s PR announced in September that the band themselves are taking a two-year break to do side projects, like Dolores’s solo material, etc. Do you know anything about that at all?

Mike Plotnikoff: No.

Zombieguide: No? And the band themselves are slowly — very slowly — putting together their sixth album. Pathetic_Senses (aka Saeed) from the Zombieguide Forums wants to know if you have any idea if you’ll be inovled with it.

Mike Plotnikoff: No idea, I haven’t heard anything.

Zombieguide: Dolores has said in a few interviews that on these new songs she’s doing, she’s using a lot of new tools she hadn’t used before, like ProTools, etc. Do you know what she’s using?

Mike Plotnikoff: ProTools.

Zombieguide: ProTools? Anything else?

Mike Plotnikoff: [inaudible program name] maybe. I think she’d do all her programming with [inaudible]. I have no idea…

Zombieguide: OK, let’s go back in time just a little bit to “To the Faithful Departed.” The band said then that they wanted the album to sound really raw, almost live. How did you approach that in terms of mixing? Because that album has a much different sound to it in comparison to other albums by them.

Mike Plotnikoff: Well, we set them up live and what we recorded was pretty much what we mixed. We tried to keep it as simple as possible. I think that was the plan, because it was supposed to be more “rock” than the last two albums, the two previous records. I’m trying to think back, it was a long time ago. I’m not sure, pretty much how I do every kind of mixing, throw up the frame and let the song take shape and whatever comes out at the end, hopefully will track in a way that the song takes you in a certain direction.

Zombieguide: And then on “Wake Up and Smell the Coffee,” I just learned that you had mixed some tracks on that. What songs were you involved with? Do you remember?

Mike Plotnikoff: I don’t even know! I noticed it was on, I was looking at my discography one day and noticed the mix credit on there. I don’t know which songs they put on there. They must have put some B- sides on there that didn’t make either “Bury the Hatchet” or “To the Faithful Departed.”

Zombieguide: It could be… they recorded “Do You Know” for “Bury the Hatchet” originally, but they ended up putting it on “Wake Up and Smell the Coffee.”

Mike Plotnikoff: That’s probably what it is then, because I wasn’t involved with that record.

Zombieguide: Yeah, because that surprised me. I think that Cenzo Townshend handled most of it

Mike Plotnikoff: Yeah. Well, I think that they just took that song that I did a mix of…

Zombieguide: Ah, well, I was under the impression that they re-recorded that song.

Mike Plotnikoff: Maybe they did, I’m not sure. I haven’t even looked at the record to see what I was credited for. I just know that it’s out there.

Zombieguide: [One of your agents] sent me your discography and it’s listed on there too.

Mike Plotnikoff: Yeah, so it must be something. You know, there are so many records that I don’t keep track of them. Sometimes my name will appear on records I don’t even know.

Zombieguide: [laughing]

Mike Plotnikoff: A lot of times they’re songs that they’ve recorded before that somehow got on there. So, I don’t know, I’d have to check into it to see what it was. I couldn’t tell you off hand.

Zombieguide: Hmmm. Ode to Dolores on the Zombieguide Forums wants to know just generally how you go about your job. Do artists ask you to do specific things or do you have the freedom to try out your own ideas?

Mike Plotnikoff: It’s both. I have my own creative free will but if they don’t like it, they definitely say something. A lot of times, they’ll steer me in a direction and give me an idea of what they want and I’ll try to go that way. Hopefully, I’ll go along the right path and if not, then they’ll say, OK, do this or do that. Because a lot of times I’ll do something and it’s not what they expect it to be.

Zombieguide: OK, just looking at the questions that people have posted on the Forums, just looking to see if there’s anything else… umm, I guess you’re not that inimately involved with the band?

Mike Plotnikoff: I’m not! You know, the last time I worked with them was quite awhile ago and I was quite suprised when they called me to do the “Black Widow” song, because I hadn’t actually spoken with them for quite awhile. So then I got a call to say if I could do this track. Then I’ve been in contact with them for the last couple of weeks regarding working with Dolores and her solo record.

Zombieguide: Right. Do you know of anybody else that would be involved with that?

Mike Plotnikoff: No idea, and you know, I’m still trying to make my schedule so that I can do this. I’m pretty tied up for almost the next year.

Zombieguide: Wow. Because over the past year they’ve been recording demos and things for upcoming releases and they’ve worked with almost everybody they’ve worked with in the past — Stephen Street, Cenzo Townshend again, you… Matt Vaughan is new, I think this is the first time they’re working with him. But it’s just kind of been a collection of The Cranberries’ past in terms of who they’re working with.

Mike Plotnikoff: Right…

Zombieguide: …Because the band’s Official Website hasn’t been updated for almost two months and there are things going on. It’s just very strange that the Irish press has all these reports out that nobody can really confirm or deny and the people at their Official Site won’t confirm or deny anything for the past two months. So I think the band is just leaving themselves just really open-ended as to what they’re doing in the future in terms of Dolores’s solo projects and I think Noel’s working on something. He was scheduled to work with a sitarist, but that got cancelled, and the Irish press is reporting that he’s working on a solo album

Mike Plotnikoff: Yeah, they may be doing that, they’ve been together for so long that they may be doing solo records. But, yeah, as far as I know for myself, I’m out of the loop when it comes to that inside information. They know for themselves what’s going on.

Zombieguide: [joking] I wonder about that!

Mike Plotnikoff: Sorry?

Zombieguide: I wonder about that sometimes…

Mike Plotnikoff: What’s that?

Zombieguide: Whether they know what’s going on.

Mike Plotnikoff: Yeah, they probably don’t even know what’s going on. I know that there are some health problems, you know, their families and stuff.

Zombieguide: Yeah, I know Dolores is in Canada right now because her mother-in-law has some health problems.

Mike Plotnikoff: Yeah, I know Noel’s wife has some health problems, the same with Mike’s wife. So I think there are a lot of things that happened all at once.

Zombieguide: One of Fergal’s children had glaucoma in both eyes.

Mike Plotnikoff: Yeah, last evening I know when I spoke with Dolores, she mentioned that she was taking a break because a lot things had happened all at once. [inaudible]

Zombieguide: Yeah, it’s pretty clear with this break that it’s to spend with their families and take personal time.

Mike Plotnikoff: Yeah, I think were a lot of things that all just came down at once and they need to get back a little bit. But thats what I got from it, you know. [inaudible]

Zombieguide: Thanks a bunch for your time, it’s incredibly appreciated. And if you work with them again in the future, I hope to talk to you again!

Mike Plotnikoff: Yeah, well, I’ll be working with them again in November, with Dolores anyways. That’s pretty much the only for-sure thing.

Zombieguide: Well, maybe I’ll be able to talk to you again, after you get some work done for her.

Mike Plotnikoff: Sure.
Zombieguide: Thank you, Mike! Huge, big, big thanks! Mike Plotnikoff: Yeah, OK, no problem!

Zombieguide would like to thank Mike Plotnikoff for his time and also thank all the fine folks at his agency, Nettwerk Management, for arranging this interview for us!

Source: Exclusive!!

Universal Releases Cranberries “Master Collection” in South America

October 24, 2003  |  Comments Off on Universal Releases Cranberries “Master Collection” in South America  |  by Zombieguide Archives  |  The Cranberries

Universal Music has released a brand new limited edtion 2CD set in Colombia entited, “Master Collection.” The set consists of the full “Wake Up and Smell the Coffee” and “No Need to Argue” albums housed in a special cardboard sleeve. The limited edition set appears to be aimed at new fans, offering both the most recent album and what some consider to be the “best” album in one package. The officially-released set is currently available in Colombia; it is unknown if Universal plans to release the set in other areas as well. For reference, the full tracklising is:

Wake Up & Smell The Coffee:
1. Never Grow Old
2. Analyse
3. Time Is Ticking Out
4. Dying Inside
5. This is The Day
6. The Concept
7. Wake Up & Smell THe Coffee
8. Pretty Eyes
9. I Really Hope
10. Every Morning
11. Do You Know
12. Carry On
13. Chocolate Brown – bonus track
14. Salvation – Live In Paris
15. In The Ghetto

No Need To Argue:
1. Ode To My Family
2. I Can’t Be With You
3. Twenty One
4. Zombie
5. Empty
6. Everything I Said
7. The Icicle Melts
8. Disappointment
9. Ridiculous Thoughts
10. Dreaming My Dreams
11. Yeat’s Grave
12. Daffodil Lament
13. No Need to Argue

Thanks to Vincent for the tip!

Source: Esprit

“From the Cradle to the Stage” Book Price, Release Date

October 22, 2003  |  Comments Off on “From the Cradle to the Stage” Book Price, Release Date  |  by Zombieguide Archives  |  The Cranberries

Author Alan Swan sent us a note yesterday to say that his upcoming book,”From the Cradle to the Stage,” will be released on November 12th with a cover price of €14.99 (€5 lower than the anticipated price). The book contains an interview with The Cranberries’ Fergal Lawler, as well as a host of other Irish musicians like Ash, Devlins, The Corrs, Samantha Mumba, Christy Moore, Chieftains, and others, 70 in total. “From the Cradle to the Stage” contains a forward by Gay Byrne and commentary by Dave Fanning and Tom Dunne. All proceeds will benefit Irish charity Fighting Blindness.

Copies of the book will be available for purchase from the publisher’s website,, upon release.

Zombieguide has interviewed Alan Swan about his book (and about Fergal’s contribution!), and we will publish that interview as the release date draws near.

Source: Exclusive

Cranberries and Woodstar at Red Room Launch Party

October 17, 2003  |  Comments Off on Cranberries and Woodstar at Red Room Launch Party  |  by Zombieguide Archives  |  The Cranberries

The Limerick Post reports that members of The Cranberries were in attendence at the recent launch party for the Red Room, a new nightclub in downtown Limerick. The venue was formerly known as Doc’s Bar, but has undergone massive renovations to turn the building into a more modern, trendier nightclub and bar. Guests’ attendence at the party was by invitation only and the list included a large number of local personalities.

Members of The Cranberries were seen “rubbing shoulders” with fellow Limerick musicians Woodstar at the revamped venue. Woodstar opened for The Crans last December in Ireland, while Fergal gave them a name-check in an Official Site post this past May. All the crossovers aren’t coincidental; Woodstar’s lead singer Fin Chambers tells The Limerick Post that The Cranberries have been among their biggest supporters:

“They [The Cranberries] have been absolutely fantastic with their support for us. We know that if there is any help we want, anything we need such as getting someone to listen to our stuff, then all we have to do is ask. Some of the band have been to three of four of our gigs. They wouldn’t be very vocal people, but they seem to like our stuff and we know if we need anything they will oblige us, so it is fantastic to have their support,” Fin says.

Source: The Limerick Post

New Commercial Bootleg: “Go Your Own Way”

October 17, 2003  |  Comments Off on New Commercial Bootleg: “Go Your Own Way”  |  by Zombieguide Archives  |  The Cranberries

A new factory-produced Cranberries bootleg has appeared on the streets of Europe under the title “Go Your Own Way.” The new bootleg consists mostly of audio from professionally-recorded shows, primarily ARTE’s Music Planet 2Nite show from 2002 and the Vicar Street concert from 2000 (officially released on the “Stars” DVD). Due to the professional sources, the audio quality is said to be “excellent.”

“Go Your Own Way” has been released on the pseudo-label “Salavation Records” with the catalog ID “CRANBERRIESLIVE 2000/02.” The tracklisting is:

Arte TV Show, Sept 8, 2002, Gloria Theatre, Cologne:

1. Linger
2. I Can’t Be With You 3. Free To Decide
4. Salvation
5. Animal Instinct
6. Zombie
7. Interview 1
8. Interview 2

Vicar Street, Ireland, Nov 11, 2000:

9. Intro Irish Show
10. Time Is Ticking Out
11. Linger
12. In The Ghetto
13. Ode To My Family
14. Shattered
15. Animal Instinct
16. Loud And Clear
17. I Can’t Be With You
18. Analyse

Paris Bercy, Dec 9, 1999:

19. Go Your Own Way

Astoria, UK, Jan 22, 1994:

20. Daffodil Lament 21. Empty

Thanks to Vincent of My Cranberries Discography for the info.

Source: My Cranberries Discography

“When You’re Gone” on CBS’s Cold Case

October 15, 2003  |  Comments Off on “When You’re Gone” on CBS’s Cold Case  |  by Zombieguide Archives  |  The Cranberries

From Shannen Doherty (“Friends ‘Til The End”) now to Kathryn Morris (“Minority Report”), you can hear The Cranberries’ 1996 single “When You’re Gone”, lofting through the background of television drama after drama. On Sunday night’s episode of the new CBS series Cold Case, starring Kathryn Morris and John Finn, approximately ten seconds of “When You’re Gone” was used to help create the mood of dramatic television. Though it was just a clip, and a small one at that, it’s a rare treat to have the opportunity to savor a Cranberries moment on network television.

Thanks to Michelle for the news.
Cold Case airs Sunday nights at 8:00 pm ET/PT on CBS.

Source: Exclusive

Storm Thorgerson Suffers Stroke; In Hospital

October 15, 2003  |  Comments Off on Storm Thorgerson Suffers Stroke; In Hospital  |  by Zombieguide Archives  |  The Cranberries

Reports out of France indicate that art designer Storm Thorgerson is resting in a Paris hospital after suffering a stroke last Friday. Thorgerson has been in Paris for the last few weeks for a Pink Floyd art exhibition which runs from October 10th, 2003 until January 25th, 2004.

Thorgerson has designed the covers of nearly all of The Cranberries’ recent releases (aside from “Stars”). We all pray he has a swift recovery!

Thanks to Echoes In Babylon for the news.

Source: N/A

Track Listing & Bonus Footage Announced For Zu & Co “Live at Royal Albert Hall” DVD

October 12, 2003  |  Comments Off on Track Listing & Bonus Footage Announced For Zu & Co “Live at Royal Albert Hall” DVD  |  by Zombieguide Archives  |  The Cranberries

In her first commercially-released video performance since the announced 2-year hiatus for The Cranberries, Dolores O’Riordan appears on the new DVD companion to this year’s CD release, “Zu & Co”. As a part ofa collection of duets with Italian vocalist, Zucchero, Dolores’s performance of “Pure Love” will be included on the singer’s live DVD. The concert footage was taken from a performance held on May 6, 2004 at London’s Royal Albert Hall – a stage familiar to The Cranberries.

The region 2 DVD, currently scheduled for released on October 18 in most European countries, November for France, will most likely hit stores in November and will include a backstage documentary, a photo gallery, the making of the ZU & Co album (presumably the same as on the ZU & Co special edition), Dunne Mosse with Miles Davis and “Everybody’s Got to Learn Sometime” live at the 46664 concert in South Africa with Queen’s Brian May as well as Roger Taylor and Sharon Corr. Plus, the disc has a teasing collection of “Hiden Extras”. Currently, only a Region 2 release is planned for “Live at Royal Albert Hall.”

The main event of the DVD, however, is the show itself, boasting this tracklisting:

Dunne Mosse (featuring Miles Davis ‘in spirit’)
Rossa mela della sera
Il grande baboomba (featuring Mousse T.)
Like the sun (featuring Irene Fornaciari)
Everybody’s got to learn sometime (featuring Jenny Bae)
I’m in trouble (featuring Tina Arena)
Baila Morena (featuring Maná’s Fher)
Ali D’Oro (featuring John Lee Hooker ‘in spirit’)
Senza una donna (featuring Paul Young)
Pure Love (featuring Dolores O’Riordan)
Diavolo in me (featuring Solomon Burke)
Il volo (featuring Ronan Keating)
Cosi Celeste (featuring Cheb Mami)
Madre Dolcissima (featuring Brian May)
Il Mare… (featuring Brian May)
Hey Man (featuring Eric Clapton)
Wonderful World (featuring Eric Clapton)
Miserere (featuring Luciano Pavarotti)
Solo una sana…
X colpa di chi?
Hai scelto me

Zu & Co is not the only upcoming DVD release for Dolores. Universal is re- releasing 1994’s The Cranberries “Live” on DVD, November 29th throughout Europe.

Source: Un Po’ di Zucchero

The Cranberries Press