Cranberries on “Best of All Time” Charts

January 14, 2003  |  Comments Off on Cranberries on “Best of All Time” Charts  |  by Zombieguide Archives  |  The Cranberries

The Cranberries (or, more accurately, their songs and albums) have been recently named to several “best of all time” lists around the globe. With the band’s first greatest hits album just put on store shelves, what better time to report this?

Dutch radio station 3FM has compiled a list entitled the Top 715, an appropriately-titled compilation of the 715 most popular songs of all time (don’t ask us why it’s 715, it’s a Dutch thing!). The annually revised list places The Crans’ hits as follows:

· #407. Ode to My Family
· #148. Linger
· #36. Zombie

Next on the list, a recently revised version of The Guinness Book of British Hit Albums put the band’s first two albums in the top 1000 British albums of all time, despite the rather odd handicap that The Cranberries aren’t even British in the strict sense. Semantics aside, check out how the albums fared:

· #631. Everybody Else is Doing It, So Why Can’t We?
· #321. No Need to Argue

Not bad considering the all-too-often underrated response that the British press in general gives to the band.

Last on our list today is the American based Slant Magazine, which has named “Linger” as one of the 100 Greatest Music Videos ever created. “Linger” and Madonna’s “Secret” are tied for the #24 slot, both directed in black in white by Melodie McDaniel.

Says the site, “Photographer and commercial director Melodie McDaniel hit pay dirt with the release of two black-and-white gems, one for The Cranberries breakout single ‘Linger’ and one for Madonna’s ‘Secret.’ McDaniel’s images are less body-horrific than those of Cindy Sherman’s yet they’re every bit as consumed with the way femininity is represented in modern art. McDaniel channeled the spirit of Sherman and John Cassavettes for ‘Linger,’ an abstract video diary that follows Dolores O’Riordan through a seedy hotel with two lookalikes by her side. O’Riordan codifies and displaces her ‘self’ via her doubles, no doubt as a reaction to the way the males in the video choose to consume her.” A very interesting take indeed.

Thanks to Luc Levesque, Irish Phil, and little dolores for the news tips!

Partial Source: Slant Magazine

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