Major Storm Thorgerson Expo to Premiere in September

August 31, 2004  |  Comments Off on Major Storm Thorgerson Expo to Premiere in September  |  by Zombieguide Archives  |  The Cranberries

London’s John Martin Gallery and Media Contemporary Arts are jointly preparing for a major exhibition of Storm Thorgerson’s art to open next month. This will mark Thorgerson’s first public exhibition since he suffered a stroke last October.

Thorgerson’s surrealistic album covers are some of the most easily recognized in rock ‘n’ roll history. His credits include Pink Floyd’s “Dark Side of the Moon,” “Wish You Were Here,” “The Division Bell,” Led Zeppelin’s “Houses of the Holy,” and Audioslave’s self-titled CD. Of course, Cranberries fans will recognize him most for his work on the art for “Bury the Hatchet,” “Wake Up and Smell the Coffee,” “Beneath the Skin: Live in Paris,” and design elements of theCranberries Official Website.

The exhibition will be held from September 21th until October 9th at the John Martin Gallery in in Chelsea at 6 Burnsall Street, Off Kings Road, London SW3 3ST. The exhibition will be free to enter.

Robin Headlee, Director of Media Contemporary Arts, confirmed to Zombieguide that Thorgerson’s work for The Cranberries will be a definite inclusion at the exhibition. “We will definitely have Bury the Hatchet and we [will] do a special large edition of [Wake Up and] Smell the Coffee.”

Headlee told Zombieguide last Saturday, “We will definitely be doing a special exhibition print of Wake Up. It will be larger than the other prints with an image size of 30 inches square and a 5-6 inch border. It will be signed and archivable… I’m hoping to get the first proof done by the end of next week. No doubt it will take a few proofs until it is accepted; Storm is incredibly fussy – which is good – about his work.”

Beginning on September 1st, the John Martin Gallery Website will have prints all of the exhibition’s featured work available for viewing and purchase. Headlee confirmed to Zombieguide that the massive special edition “Wake Up and Smell the Coffee” print will also be available for purchase online, although it may not ship immediately due to its late production: “We will though start taking orders from the website www.jmlondon.com from 1st September, there just may be a slight delay (1-2 weeks) on printing until Storm is happy with the quality.” Headlee adds, “Although not limited, it is a special edition only for sale in conjunction with our exhibition … so limited in that only for sale from September 1st until December 31st at John Martin Chelsea or on www.jmlondon.com. They are all archivable and signed by Storm Thorgerson. The price is £175 plus VAT (but anyone outside the EU doesn’t have to pay VAT). That is approximately $315… Larger than others but less expensive than others, as it’s not limited in number just limited in time on sale.”


Wake Up and Smell the Coffee cover, high-resolution, .JPG format, 109k, courtesy of Storm Thorgerson (LINK NO LONGER AVAILABLE)

The normal-sized “Bury the Hatchet” is already available for purchase fromwww.jmlondon.com. A 19″x19″ design is silkscreened onto a 33″x25.5″ paper by Coriander Studios. The “Body Series” print is limited to an edition of 125. Cost for the “Bury the Hatchet” print is £300.00 + VAT (UK only), or about $540.

A press kit for the exhibition describes now now-classic Cranberries cover: “The Cranberries cosmos is reflected beautifully with the diptych images used for ‘Bury the Hatchet’. Two themes are represented in this picture: that someone may always be watching (eg big brother, surveillance, terrorist measures) and the internal eye of guilt and paranoid (one’s conscious). In this particular image, the ‘dreaded eye of paranoia’ is hovering over the naked and vulnerable figure. Afraid and pressing down on him with nowhere to escape, the figure covers his head to hide but the eye is still watching. The second image (not shown) illustrates the same figure standing facing the eye, screaming in retaliation and fighting back. We may not be able to escape the all-seeing eye, but we can tell it to fu*k off when we want to!”


Bury the Hatchet cover, high-resolution, .TIF format, 4mb, courtesy of Storm Thorgerson (LINK NO LONGER AVAILABLE)

In his 1999 book, “Eye of the Storm,” Thorgerson narrated the snags that his crew went through in photographing the cover for “Bury the Hatchet”: “When we arrived in Flagstaff [Arizona] it actually snowed. Couldn’t believe it. Miraculously the weather cleared further north, providing two glorious days of perfect winter light. On location on the first morning our truck broke down in the middle of nowhere. We got the Navajo heebie jeebies about working on what might be the sacred land, and with what exactly? An evil eye and a naked man! Should be easy to explain (especially to a Navajo). And then we were caught speeding twice.”

Source: Exclusive

Aslan: Dolores a “Pale Imitation” of Sinead

August 25, 2004  |  Comments Off on Aslan: Dolores a “Pale Imitation” of Sinead  |  by Zombieguide Archives  |  The Cranberries

Irish rock group Aslan recently went on record for a bit of mud-slinging at fellow Irish artists The Cranberries and The Corrs, claiming the two are only “pale imitations” of fiery songstress Sinead O’Connor. In an interview with month with the Galway Advertiser, Aslan guitarist Billy McGuinness had this to say:

“We just got a call last week about Sinead. EMI are releasing an album of duets Sinead O’Connor did throughout her career and we’re hoping they’ll include one of the two tracks she sang on our album. She sang on the single ‘She’s So Beautiful’ and sang a duet with Christy called ‘Up In Arms’. Sinead retiring is a major loss because when she came in to sing on our album the hairs were standing up on the back of our necks – her singing in that session was just so beautiful. Sinead is without doubt the best female singer Ireland has ever produced. Dolores O’Riordan or The Corrs or any of them are just pale imitations.”

Source: Galway Advertiser

Burtons Sell Riversfield Stud

August 25, 2004  |  Comments Off on Burtons Sell Riversfield Stud  |  by Zombieguide Archives  |  Dolores O'Riordan

After nearly four months on the market, Dolores O’Riordan and Don Burton have found a buyer for their Kilmallock home, Riversfield Stud.

While the details to the sale are still private, the August 22nd issue of London’s Sunday Times reports that the Burtons agreed to an amount that is “close to its asking price of €4.5 million.”

When the couple put their home up for sale in April, it originally had an asking price of €3 million. After the home attracted substantial interest, Dolores and Don decided to briefly take it o the market to readjust the price. Weeks ago, they bumped up the price by 50% to the final price of €4.5 million.

The home contains a long list of lavish features including a swimming pool, gym, tennis court, bar, wine cellar, mini-pizzeria, pool table covered with pink felt, childrens’ bathroom with a mini-jacuzzi, and a stained glass window with the lyrics of “Zombie.”

Source: Sunday Times (London)

“Dreams” in New Payless Commercial

August 20, 2004  |  Comments Off on “Dreams” in New Payless Commercial  |  by Zombieguide Archives  |  The Cranberries

A new TV comercial for Payless Shoes airing in North America features The Cranberries’ “Dreams” as the backing track. The TV spot shows women plucking clouds out of the sky and then sticking them on their Airwalk fleece boots. The ad is currently airing on several major stations in both the US and Canada.

Thanks to several readers for the tip!

Source: Exclusive

Zucchero Expects Royal Albert Hall DVD “in October”

August 17, 2004  |  Comments Off on Zucchero Expects Royal Albert Hall DVD “in October”  |  by Zombieguide Archives  |  Dolores O'Riordan

In a recent interview with Italian newspaper Il Giornale, Zucchero told the newspaper that he expects the DVD release of his extravagant Royal Albert Hall concert to be released in October. A DVD video of the concert has been planned since it took place in May, where Zucchero performed with a number of artists from “Zu & Co.,” including Mousse T, Dolores O’Riordan, Solomon Burke, Tina Arena, Brian May, Luciano Pavarotti and Eric Clapton. This news moves up the previously-scheduled date of a December release.

In the same interview, the reporter asked Zucchero to describe each of his collaborators with one word and then explain. When asked up sum up Dolores O’Riordan in one word, he replied, “Heart. Her voice goes down to the bottom of your soul.”

Thanks to Boris of Un Po’ di Zucchero for the tip.

Source: Zucchero O cial Site

Westlife Explain How Dolores Saved “Little Drummer Boy”

August 9, 2004  |  Comments Off on Westlife Explain How Dolores Saved “Little Drummer Boy”  |  by Zombieguide Archives  |  Dolores O'Riordan

In a new interview entitled “It’s a Drum Do for Pope, Idols Westlife” from the July 30th issue of Plymouth, UK’s “Evening Herald,” Irish boyband Westlife explain how Dolores O’Riordan rescued their performance of “Little Drummer Boy” at the 9th Vatican Christmas Concert. Nicky Byrne explains in the interview:

“But the single biggest plus for me was being invited over to the Vatican to perform in person for the Pope, even though the experience didn’t go quite as planned.

“We had to perform two songs, live on TV as part of the deal, one of which had to be a carol. We chose Little Drummer Boy, but unfortunately they pitched it in a key that was too high.

“We tried to do it in rehearsal and couldn’t pull it o . The music director didn’t speak English and we had an hour before we were due to perform live for the Pope in a packed arena of 10,000 for a show going out live on TV.

“Fortunately the day was saved when we managed to recruit the lead singer with the Cranberries, who were also there to perform [sic], to help us out.”

Source: Evening Herald

Dolores Raises Price of Riversfield Stud

August 8, 2004  |  Comments Off on Dolores Raises Price of Riversfield Stud  |  by Zombieguide Archives  |  Dolores O'Riordan

Anyone who was hoping to grab Dolores O’Riordan’s Kilmallock home, Riversfeild Stud, at the bargain price of €3 million has now lost their chance; according to the August 1st issue of London’s The Sunday Times, Dolores and Don have raised the price of their Kilmallock home and stable to €4.5 million.

Several newspapers and tabloids have taken a gander at the home, which includes everything from tennis courts to a stained glass window displaying the lyrics of “Zombie,” since it went up for sale in April. According to the latest Sunday Times article, the new price is a “correction,” and more accurately reflects the true value of the estate. The article states that the home has generated lots of interested parties, but has yet to find a committed buyer. The Burtons are looking to settle into a home closer to Dublin in order to make it easier to travel to Canada.

If you’d like to see more of the former O’Riordan home, there is an “online brochure” available over at MyHome.ie.

Source: The Sunday Times

“Zu & Co.” on the Charts and on CNN

August 4, 2004  |  Comments Off on “Zu & Co.” on the Charts and on CNN  |  by Zombieguide Archives  |  Dolores O'Riordan

Thanks to steady high chart positions across continental Europe, Zucchero’s duets CD “Zu & Co” (featuring Dolores O’Riordan on “Pure Love”) has now sold over 1 million copies worldwide. To date, “Zu & Co.” has achieved multi-platinum status in Italy, platinum in Switzerland, Austria and Germany, gold in France and is very nearly gold in the Netherlands and Belgium. The CD still has Top 10 status on the charts in Italy, Slovenia, Austria, and Switzerland. There are still no plans to release it here in the USA.

In other Zucchero news, both Zucchero and Dolores were featured briefly in this past week’s edition of CNN International’s “The Music Room” show. The segment was on Italy’s Fesitivalbar in May. The show aired a short interview with Zucchero, then played a clip of Dolores and Zucchero performing “Pure Love” at Festivalbar, then aired a short interview clip with Dolores. Dolores told CNN that after doing the Cranberries for 13 years it’s now fun to work with other people.

Source: Un Po’ di Zucchero

The Cranberries Press